Tuesday, October 30, 2018

The Power of Useless Things

In 2015, journalist Simone Giertz posted a video on Youtube entitled "The Toothbrush Machine".  In it, she showed off her makeshift robot, a helmet that supposedly "brushes your teeth".  It's absurd and clearly doesn't work, a piece of engineering that was entirely useless, but the video quickly went viral, and in the years since, Simone has made an entire business around making entirely useless machines.



In her TED talk, Simone talks about how she decided to make useless machines as a way to deal with her performance anxiety. Instead of trying to make things that work, she decided to make things that would intentionally not work—that way, failure was a success. She used her robots and her videos to work on her anxiety and as a way to teach herself about hardware and engineering; in the talk, she says:
So as much as my machines can seem like simple engineering slapstick, I realize that I stumbled on something bigger than that. It's this expression of joy and humility that often gets lost in engineering, and for me it was a way to learn about hardware without having my performance anxiety get in the way. I often get asked if I think I'm ever going to build something useful, and maybe someday I will. But the way I see it, I already have because I've built myself this job and [...] It's something that I could never have planned for. Instead it happened just because I was enthusiastic about what I was doing, and I was sharing that enthusiasm with other people. 
To me that's the true beauty of making useless things, because it's this acknowledgment that you don't always know what the best answer is. And it turns off that voice in your head that tells you that you know exactly how the world works. And maybe a toothbrush helmet isn't the answer, but at least you're asking the question.

Simone is not an engineer.  She never went to school for it, and everything she knows is self-taught, primarily through the robots she makes for her channel.  She describes her process as "creative chaos".  She says that "identifying a problem is the first step in my process of building a useless machine."
But when you’re sitting at home and not doing anything, you might start thinking about different problems you have or practical things you want to improve. That’s what my strategy has become. It’s not glamorous — people think it would be a very creative, sticky-note-intensive kind of process — but it’s basically just me sitting and thinking, "Brushing my teeth is boring, is there a more fun way to do it?"
Another large part of her process is the importance of failure.  "[...] it’s better to build things than not build things," she says. "[...] in some cases, building things is a part of a 'Yes, and' approach. It’s asking, 'Why should we do this?' instead of 'Why shouldn’t we do this?'"  Like what is described in Wired article "Accept Defeat: The Neuroscience of Screwing UpAccept Defeat: The Neuroscience of Screwing Up", failure is not always failure.  Sometimes failures are successes when you're asking the right questions.  And even if failure is just failure, Simone puts it best in saying, "The build process has a purpose in and of itself, especially when you’re trying to innovate and create things."  Sometimes its about the process itself, not the result.



Failure is part of Simone's brand.  In her "I built a hammering machine that destroys everything" video, she attempts to make a robot that moves two hammers up and down.  Throughout the video, she shows her initial failures, seeking help from a friend, and ultimately building a machine that destroys more than it creates.  But in the end, she decides to "embrace its true nature" and just let it destroy things.

She doesn't just build bad robots; Simone builds things that work, too, including her recent Kickstarter for a habit calendar.  But it's in her failures and her useless projects that she makes a great impact, showing off engineering to those who may not have otherwise been exposed to it, providing hilarious entertainment, and building a community that values failure just as much as success.

Healthy Patients or Healthy Bank Account?


The outbreak of Poliomyelitis in the United States during the early-mid 1900s led to one of the most desperate pursuits for a vaccination and/or cure of the disease. The polio virus causes a slow, widespread contraction of muscles throughout the body causing paralysis and respiratory distress.  The prognosis for patients who contract the virus is not good: usually permanent paralysis or death. Therefore, during the outbreak, researches and health care providers were rushing to develop a cure for the disease, or at least a vaccine to prevent it.
Image result for jonas salk
            Jonas Salk was a medical researcher out of the University of Pittsburgh during the 1940s-1950s. He had received a grant to develop a vaccine for the polio virus and created an early version of it by 1950. The vaccine in and of itself was groundbreaking and lifesaving at the time, but it was also extremely innovative. Salk developed an inactive vaccine for polio, which is one that contains no live strains of the virus. The inactive form of polio is injected into the patient and the body’s immune system will develop antibodies for the specific virus so that when it encounters the virus again, it will already have those defense mechanisms. This vaccine was one of the first largely successful inactivated vaccines.

Image result for jonas salk            There are two details about Salk’s development of the vaccine that make his story interesting. First, he tested the vaccines on himself and his family, wife and 3 children, along with conducting the research on unknown human trials. Second, there was no hesitation after his findings concluded the vaccine was successful and safe before announcing its existence on public radio. Both these details explain that Salk’s motivation for creating the vaccine was both intrinsic and extrinsic. He was extrinsically motivated by the fact that he had 3 children at the time who were especially susceptible to the disease, so the need for a vaccine to prevent them from contracting it was at an all-time high. His intrinsic motivation was shown when he immediately announced the vaccine was safe and successful and began mass producing it instead of what is commonly done today: waiting for the highest buyer. He wasn’t motivated by the money and fame, although he did name the vaccine after himself, but was motivated by his moral duty to help save the lives of others.

            Pharmaceutical companies in modern day are not as morally aligned as Jonas Salk was when it comes to putting the health of patients over the health of their bank accounts. Even though Salk knew how desperate the country was for a vaccine for this disease, his motivation stayed true to his moral values and the health of the patients. 

Sources:

Monday, October 29, 2018

SZA Releases Ctrl to Let the Creativity Flow

SZA’s journey to her creative product and outlet has been long and tumultuous at times, but her debut album, Ctrl, received 5 Grammy nominations and is now certified platinum by the RIAA. She has been signed to TDE, Kendrick Lamar’s label, since 2017. Her record is an exploration of different musical styles to find her own voice paired with an alluring prose in her lyrics. The range of femininity that SZA chronicles in her album is an empowering contradiction on today’s unnecessarily strict beauty standards and standards of women in general.


Because much of SZA’s life she has been marginalized from her peers, her music began in a place of anger, anxiety and fear. Born as Solána Imani Rowe, she grew up in a small and affluent town in New Jersey. She was one of the few black people within the town and was left out of many social situations because of her strict, conservative parents. She felt like she had to change much of who she was to be desirable and seen. Fast forward, years later she is in the music-making zone for her first album. Her fear and anxiety from her past have halted her creative process instead of being a source of inspiration like it once was. She decided to go on a hike with her creative team and they end up taking psychedelic mushrooms. Because of the drugs and the nature SZA explains that “[she] heard everything singing to [her], she was tripped out crying and it removed the fear barrier. The next day [she] felt free -- [she] couldn’t fail.” Ever since this revelation, she has been able to use music as a therapy from the chaos of the outside world.




SZA’s process is based much more on freestyling than following a certain procedure. Surprisingly,
a lot of her inspiration for music comes from different images instead of sounds. The artist intentionally constructs a creative bubble with her producers. Different producers on SZA’s team push each other to be better by sending around all different sounds and vibes in order to make higher quality records. They come together both inside and outside the studio. One of her producers, Carter Lang, credits this level of friendship amongst the group allows them to strive and urge others in the group to create the best sound that is authentic to SZA. She believes she is in the perfect creative space with her TDE team and it is apparent her team is very confident in her abilities as well. The Antydote, a producer with 8 credits on SZA’s album, says that “SZA has a mystical place in her brain where, when the right chords are played, out come the heartfelt lyrics...It’s almost as if she is not conscious when it’s happening.”



Her freestyling process is what caused so many delays on the Ctrl album however. Because there are no exact calculations too it and it is just a feeling, if she cannot pinpoint the reason she doesn’t like a song she scraps it all together. There were at least 150 songs that could have been on the debut album that the singer was having to choose from. The only reason the album was able to be released in June of 2017 was because her record label took her hard drive. She says that the album could have been totally different had she been able to ruminate with it for much longer. Csikszentmihalyi details this kind of creative flow in Chapter 3 of Creativity: Flow and the Psychology of Discovery and Invention by affirming that “this does not mean that creative persons are hyperactive, always “on”constantly churning away...The important thing is that the energy is under their own control - it is not controlled by the calendar, the clock, an external schedule. They consider the rhythm of activity followed by idleness or reflection very important for the success of their work. It is learned by trial and error, as a strategy for achieving their goals.” SZA believes her honest reflection in her songs is what make them so popular to the world because honest energy attracts others’ honest energy.


After the successful release of her debut album, SZA is much less anxious about the next one. This time instead of taking an introspective approach she is excited to interpret the connections throughout the world.






The Guardian

Billboard SZA interview

Consequence of Sound

Billboard Carter Lang interview

Sunday, October 28, 2018

ReJUVenating Branding

Ziad Ahmed has a pretty impressive resume. He is the CEO of a company he co-founded, a Yale man, has spoken at multiple TED events, and has been published by the likes of the Huffington Post and Teen Vogue. Ziad is also only 19 years old. Not yet even an upperclassman, this young entrepreneur has shaped the world he lives in through various avenues of activism and business.

His work began in 2013 when he founded his nonprofit, Redefy. The group’s aim is to create a space for teens to share opinions and promote positive perspectives in a world that regularly makes it difficult to do so. As a young person, Ziad did not let his age stop him from acting on a problem he saw in the world and within just a few years, Redefy was thriving. Ziad was even invited to the White House by President Obama, not once, but three different times to congratulate him on his work.
During a summer business program at Cornell in 2015, Ziad and his friend, Nick Jain, met Melinda Gu. The three mused over their shared goals of making a difference as young people in the entrepreneurship world. After contemplating ideas, they came up with JUV. JUV is a consulting firm that works to connect companies and teen audiences by using teens themselves to bridge the “cultural” gap. Time and time again, large brands attempt to market a product or idea specifically for young people but have a difficult time understanding or keeping up with the trends that attract them. JUV connects this divide. Ziad and his team are a staff of entirely teens and young adults, ranging in age from 14 to 22, so every consultation they provide is authentic and realistic to how teens actually speak and respond to things.“Don't talk about teenagers, talk to teenagers,” says Ahmed about marketing schemes. By commodifying their opinion, Ziad and his team have invented a new way to share young people's ideas in professional settings.

Within JUV, Ziad and his collaborators also created The Vine, a crowdsourced focus group that JUV can pull opinions from. This much larger group, made up of any 14 to 22 year old that wants to apply, allows the firm to understand Generation Z at large and avoid having biased opinions skewed to what their small staff likes or believes. This inventive way to expand their “staff” has allowed JUV to have more nuanced and full perspective over its field and therefore represent it better.
Ziad's work is undoubtedly creative, both because of its originality and relevance. The most obvious reason I thought of him for this blogpost is because his company is unique and unlike anything else that I know of. The idea- to allow teens to speak for themselves directly to brands- is so simple but so effective, making it easy to implement and be successful. I believe Ziad and his team are able to do this through collaboration and shared-intrinsic motivation. As young people, they are not required to have started a business at this point in their life. On the contrary, people are universally sceptical of their abilities to do their job effectively and professionally because of their age. Instead of using outside motivation, the team wants to grow and nurture JUV because they want to see a firm like it in the field and believe in each other's ability to make it happen. Like Amabile points out, this inner yearning to make and maintain the company is what makes their endeavor so creative and successful.

What's one thing Ziad has yet to conquer? Fashion, according to his family in a humorous tweet posted earlier this year. To stay up to date with this trailblazing young man, i‘d recommend giving him a follow (@ziadtheactivist). Not only does he say and share interesting things about his company, he’s also a pretty entertaining guy.
sources:
https://medium.com/@justinemoore_85088/running-a-gen-z-consulting-firm-with-nick-jain-and-jacob-chang-juv-consulting-931e01d8384c

Wednesday, October 24, 2018

Dammit! Dammit! Dammit!

Have you ever been super stressed? Have you ever been extremely mad at someone or at yourself? Have you ever wanted to punch a wall and scream? Well here is the product for you. Drew Levich designed a 12-inch plush troll that is meant to be whacked onto any surface. These Dammit Dolls are colorful and perfect for anger management. Each doll has a stitched label that reads:





"Whenever things don't go so well,
and you want to hit the wall and yell,
here's a little dammit doll,
that you can't do without.
Just grasp it firmly by the legs
and find a place to slam it.
And as you whack the stuffing out yell,
 'Dammit! Dammit! Dammit!'"





This however is not the first "dammit doll." In 1964, a woodcarver named Thomas Dam invented the troll doll. He carved a troll doll in his own image for his daughter.  He was too poor to afford a present, so he took his woodcarving skills to test and invented these wooden trolls named "dammit doll" after Thomas Dam, more commonly known as Good Luck Trolls.



Shortly after, his small town was asking for his own trolls, and Dam started created them out of local natural materials. These trolls had sheep wool hair and glass eyes; however, mass production of these trolls began in Denmark and spread to North America. The demand was very high which caused companies to copyright the original product, creating troll dolls of lesser quality. Another wave of demand sparked at the end of the 1980s when a company in New York tried to rebrand the troll dolls into Norfin dolls with no credit given to the original country, Denmark. 

The dolls we know today as Dammit Dolls were created in 2010 when Drew Levich was working on another job. Everyone who knows him would agree with Levich when he says that he wasn't smart enough to start a tech company, but he did always want to be an entrepreneur. Therefore, he started a small company where he had numerous dolls piled up in the back of his Prius. At first Dammit Dolls were not sold online or to big retailers with the exception of Nordstrom's and some locally owned Hallmark stores. 

In an interview with Fox, Levich explain that the key is execution. We always hear and read about these amazing entrepreneurs like Jay Z and Bobbie Brown. You have to put that aside and say "here's my plan. Here's the time table. Here's how we are going to execute. Here's the business model" and you have to be able to work with that. Dammit Dolls launched right away, presented at trade shows, and they kicked off. The company retweeted the dolls a lot to promote its practicality and the uniqueness of each doll. 



Every month a new production is ran where dolls with different colors and patterns come out. These dolls are always being switched up, and that is why each doll is so unique and brings people together. If someone shares their Dammit Doll with you, it's unlikely you will find that doll in stores anymore. While these dolls are good products for releasing anger, they are also good at bringing people together due to their limit edition nature. Today, these dolls can be found on their main website, amazon, and sporadically throughout certain stores. They are sold at $15 each and are intended for ages 18+. Since the first launch, new categories of Dammit Dolls in addition to the classic dolls have come out including sports dolls, political dolls, and cancer dolls. 

I'm glad Drew Levich took a risk inventing these dolls and collaborating with local small businesses to promote his creation. On particularly bad days, I know I can go home, grab the Dammit Doll by the legs, and whack it on the table while I yell 'Dammit! Dammit! Dammit!'

Advice from Levich on creating a new product and life in general, "Give yourself permission to fail because you learn from failure and learn to push forward."



Sources:
https://www.visitdenmark.com/denmark/good-luck-troll-danish-phenomenon
https://www.thevintagenews.com/2017/12/22/troll-dolls/
https://video.foxbusiness.com/v/1795498122001/?#sp=show-clips
https://www.kansas.com/news/business/article1121784.html



 i
Read more here: https://www.kansas.com/news/business/article1121784.html#storylink=cpy

Tuesday, October 23, 2018

In the Brain of Hippo Campus

Degenerate, counter-culture, crying socialist 
Hip-to-lazed crazed abstractionists 
We're weird, but Lord knows we're trying.

Stripped of music, these words don't sound like they’re meant to be in a song, let alone a smashingly successful third single of a landmark band. Even less likely do they seem like the lyrical musings of a 21-year-old frontman and self-described introvert. Enter Jake Luppen, Nathan Stocker, Zach Sutton, and Whistler Allen - the four members of Hippo Campus, a nascent band that'll ensure your memory (like mine) won't forget them anytime soon.

Allow me to introduce you.

nylon.com
Hailing from Minnesota, the boys formed Hippo Campus in 2013, during their last years of high school and set out to establish themselves as a band of the people. The development of their signature buoyant sound, laden with clever, intricate lyrics, has been hard to label - something the label-wary band is thrilled by. Hippo Campus considers itself neither indie nor alternative, but rather, a "people's band" that deeply resonates with listeners and values those connections. Frontman Jake said in an interview, "it's like alternative people pigeonhole us as an indie band, and indie people pigeonhole us as alternative." Their first album, landmark, released late February of 2017, hit on many social themes of growing up and out of the formative years. Though it won the band recognition, the members made it clear they had a lot more to offer, quoting in an interview that "things are constantly growing, but nothing is ever really good enough to settle on…it's important to not get comfortable."

Enter Bambi.

A pensive, somber, and strikingly vulnerable take on the honest songwriting that already defined the band, the sophomore album was just released last month. Deviating from sunny guitar riffs and optimistic melodies, it relied heavily on synths and percussive rhythms, marking a dramatic - and deliberate - departure from the band's former sound. It successfully upended any perceptions of their music that might have begun to settle. Deeply self-reflective, Bambi approached topics of mental health on a greater, more personal level than seen in the band's prior songs. It was a clear response to broader and more major cultural shifts outside of the fanbase, affected by the band's perceptions of several recent societal upheavals that have quickly become historic, from the #MeToo Movement to the shooting at Stoneman Douglass.



To make it happen, the band took to a different creative process. Formerly collaborative, the band decided to work on song material individually before coming together. In effort to maximize the amount of honesty that went into the music, this strategy was easier for the members to handle through individual self examination. The band was able to collectively recognize the need for this shift in approach, having been working together since high school - none other than the St. Paul Conservatory for Performing Artists.

The years spent at the conservatory was the first of several stages of the known creative process, as Dr. Nancy Andreasen writes in A Journey into Chaos: Creativity and the Unconscious. The research paper details this period of preparation as a time where the basic information and skills are able to assemble. Becoming more serious musicians required hours of practice, but becoming a functional band meant building a common understanding and form of communication. Indeed, receiving an education allowed the boys to not only refine their instrumental abilities but establish music as a central facet of their lives.

In the supportive environment of their friends, the band was able to explore and cultivate a unique sound and identity in the absence of industry pressures and expectations. Zach, the bassist, described this a time of "total creative joy," where their only mission was to make their friends dance. This incubation period allows further subconscious connections to be made; for the band, these connections would prove crucial during the incoming moments of inspiration as they began working on their first album, and again when they worked on their second. The band blew right through the production step for their second album, heavily focusing their efforts for only a handful of months. Known for heavily drawing from honest emotions, the band wanted to ensure those emotions were still fresh during the creative process. This mental state of absorption, known as flow, was coined and examined at length by psychologist Mihaly Csikszentmihalyi, and further describes the method behind Hippo Campus's musical madness. In this mindset, pulling together even the most disparate of words can be possible. As Jake sings, they're weird, and they certainly are trying.

With talented versatility, a knack for understanding emotions (as well as sharing their own), and the fearlessness to wield both, Hippo Campus has proved itself a band that indisputably stays in the brain.


Works Referenced

Sans Forgetica: The Font to Remember


Sans Forgetica is designed with memory in mind
Have you ever walked into a room to grab something and then stopped short, suddenly unable to recall what you wanted to do? Do you ever feel a word sitting on the tip of your tongue, just out of reach of your memory? Have you ever looked at a blank page on an exam, knowing you studied the answer an hour ago but coming up with nothing? Forgetting is a frustrating experience that we all share, and at RMIT University in Melbourne, Australia, researchers are trying to do something about it. The Royal Melbourne Institute of Technology has recently unveiled their newest creation on their website: a font called Sans Forgetica, “the font to remember”. 

Sans Forgetica's unique physical features change
the way the font is processed and how we remember it
Sans Forgetica is the first font specifically designed to help readers remember their notes. Created using a combination of psychological and design principles, the font is the result of a collaboration between the university’s school of design and behavioral business lab. At the heart of the project is the psychological principle of desirable difficulty. Fonts that are familiar to us get skipped over when we read; we only look at the outline of each letter and our brain automatically fills in the rest. However, fonts that are too different become illegible and foreign. Neither overly simple nor overly complex fonts form the kind of memory trace that is ideal for improved recall. Desirable difficulty is the happy medium in which some effort—but not too much!—is required, and Sans Forgetica hits this sweet spot. The font is characterized by large gaps in the letters that our minds must use increased effort to fill in when we read. This forces the reader to focus on the entirety of the letter rather than just its outline, leading to better recall. It also uses an 8° back slant, a form of backwards italics that is extremely uncommon in typography. This indicates to our subconscious that the information we are reading is categorically different from other information we usually receive, giving it a particular importance that makes it easier to remember. Sans Forgetica has been extensively tested in psychological experiments using undergrads to measure before and after differences in information retention. In the early stages of the process, several different fonts were being tested, each of which broke different design rules to different degrees. Researchers used the results of these experiments to fine tune the design elements until they created Sans Forgetica, which consistently had the best results for memory recall. The final font is simple and familiar enough that it’s easy to read, but the unique design ensures it’s entirely unforgettable.

The Sans Forgetica alphabet
This incredible interdisciplinary invention is the first of its kind, thanks to the efforts of design, psychology, and typography experts working together at RMIT. Sans Forgetica is an excellent example of the “conceptual combination” that Smith and Ward describe as a mechanical process of creativity. Merging together concepts that are “previously completely separate or otherwise discrepant or dissimilar” is a breeding ground for novelty, allowing new innovations to be created from the unexpected similarities found between them. Similarly, combining resources and ideas from the school of design and the behavioral business lab created the unique mix of skills and knowledge that made Sans Forgetica possible. Smith and Ward also discuss divergent thinking as a method of creativity that emphasizes “many varied and imaginative possible problem solutions”. This kind of thinking was essential to Sans Forgetica’s formation in the early stages of brainstorming, when several different fonts were created that challenged different established conventions of design in new and unique ways. From its inception to its execution, Sans Forgetica is truly a product of the creative process, one that is helping students in their studies all across the world.

Need help remembering your notes? Sans Forgetica can be downloaded for free here!

Sources: