I would love to introduce to the
audience a dear friend of mine – a grandfather. This kind and sometimes – on the
surface – cold man has made waves and left marks in the world of woodwork. His
first work was a clean cut but cubic model of a turtle. Some of his most recent
and notable works include those below – a 13 foot tandem canoe and a lithe statue
of The Lift. The decades that have visited and left him in the meantime are
extended moment of formation – sometimes extreme. Whether it be war and more
intimate death or love and lakeside rest – he is able to use timber for a
number of ends in various means. These ends can be decks and kitchen cabinets in
the form of function or models and works of art in the function of form. His
favorite kind of work however are the items that are blend the two notions with
his own fascination with the world as he understands it. The boat above – and below
– is functional because he wanted to build one. It is not fashioned in a character
much his own alone but also decorated with his love for the chemical bases of
life. This kind of work also includes love chests and instruments made for
members and friends of our households. He considers timber in each of these
cases as an extension of a fluid mind into concrete time and dimension – actualization
– for whatever the cause because he loves to do so.
The nature of this extension however
entails an intricate creative track that is both wild and sane. It could involve
the identification of a lack – whether it be artistic or a set of stairs – and then
an extensive amount of time in the mental acrobatics of abstract invention drawn
out in metrics. These two kinds of ends – form or function or some kind of combination
– both include a series of material and construction tests before the decision
about how to move on is made. These tests inform what he can or can’t achieve –
but he notes these failures as sources for new ideas such as a new form of timber.
The ends are sometimes not what he had set out for – but each one was considered for
hundreds of hours. I love him a lot for it.
Here's a video of him –
https://www.bing.com/videos/search?q=jerry+spady&&view=detail&mid=E2B9FFEF1F4D1D217C44E2B9FFEF1F4D1D217C44&&FORM=VRDGAR&ru=%2Fvideos%2Fsearch%3Fq%3Djerry%2Bspady%26FORM%3DHDRSC3
I have never seen woodwork like that before. That is so cool how detailed and precise the artwork is! That's interesting how he can visualize the movement of the wood and then carve into it. I'm sure with hours spent on one piece there is so much attention to detail needed to execute a piece in the way that he wants.
ReplyDeleteI used to love woodworking with my grandfather but never on this level. Its truly amazing to see the vision your grandfather has in a piece of wood and how he's able to create it into something incredible.
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