Scottish music producer, songwriter and DJ Sophie Xeon, known by stage name SOPHIE, was one of the leading influences of the evolution of the music genre known as hyperpop. This highly experimental genre originated in the UK in 2010, and it is considered to be a ‘maximalist’ form of music. Hyperpop contains elements of electronic music, hip hop, pop, and dance music. It often has brash and overexaggerated melodies, and can feature many musical juxtapositions like cute and child-like music with vulgar lyrics. Mark Richardson describes hyperpop as “a cartoonish wall of noise that embraces catchy tunes and memorable hooks. The music zooms between beauty and ugliness”. My favorite song of hers that I think is a perfect example of Richardson’s quote is Hard and Ponyboy.
Sophie was born in Glasgow, Scotland in 1986 and spent her childhood listening to electronic music with her dad and even attending raves together. She gained interest in creating music after receiving a keyboard as a birthday gift and became self-taught. Sophie knew she wanted to become an electronic music producer even when she was only nine or ten years old. She has collaborated with various artists such as Vince Staples, Madonna, Kim Petras, and Charlie XCX. As for Sophie’s creative process, she liked to synthesize many different (and often opposing) elements into her music. She liked to mix sounds like “latex, balloons, bubbles, metal, plastic, and elastic” with different vocals and beats in the backgrounds. Sophie described music as “her chosen method of communication” and used it to express herself. She wanted her music to be like an all-immersive experience, and in an interview with Bomb magazine, she once said “It would be extremely exciting if music could take you on the same sort of high-thrill three-minute ride as a theme park roller coaster. Where it spins you upside down, dips you in water, flashes strobe lights at you, takes you on a slow incline to the peak, and then drops you vertically down a smokey tunnel, then stops with a jerk, and your hair is all messed up, and some people feel sick, and others are laughing — then you buy a key ring.”
Sophie was considered to be a private and reclusive person, and at the beginning of her career she remained anonymous before later revealing that she is a transgender woman. She often concealed her voice with voice masking and covered parts of her body, but in October 17, she released the music video to her song “It’s Okay to Cry”, which was the first time her voice and image were used in a release. Afterwards, she became very outspoken about her identity and often referred to it heavily in her music. Unfortunately, Sophie died at only 34 years old after an accidental fall from a three-story apartment rooftop while reportedly trying to take a photo of the full moon on January 30, 2021. Many artists and organizations paid tribute to Sophie afterwards–the International Astronomical Union even named a planet Sophiexeon in her honor. Sophie will always remain known as an artist who pushed the boundaries of pop music.
I love Sophie and it was a tragedy that she died before getting to do more with her life. I did not know that much about Sophie's childhood, but it definitely connects her music to her as a person. I love hyper-pop and Sophie was one of the first artists I listened to. I think her creative process obviously meshes well with the genre of hyper-pop as she perfectly mixes all of the sounds and rhythms, which can be overwhelming to some. Sophie made music unlike anyone else and she is definitely a Pro-C creative that truly revolutionized music.
ReplyDeleteSophie is such an icon of the hyperpop genre and I think she was one of the individuals who really opened the doors for it to come into the mainstream. She and other hyperpop artists have cultivated such an inclusive, open-to-anything mindset and it's really allowed the genre to expand and even develop subgenres. One of the most interesting things about hyperpop to me is the prevalence of trans hyperpop artists -- voice distortion is in the genre's nature, and so making music this way is a way for trans people to escape the dysphoria they may feel about their voice. Great article :)
ReplyDeleteI had never heard of this genre before this article, and it seems very fascinating for me. The last paragraph definitely caught me by surprise. I'll have to check out some of her music. I also like how she viewed music as a rollercoaster- it's very creative of her to connect those two things.
ReplyDeleteI think SOPHIE is a great example of inventive creativity. We owe a lot of where music is today to her work. The news of her death was very sad to me, of course, but I am glad her music continues to gain listeners and popularity posthumously.
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