Wednesday, November 1, 2017

Drawing Real-Life Inspiration for Imaginary Worlds

            The author of numerous successful young adult novels (although she would consider that label “bullshit”), Maggie Stiefvater has created worlds through her words.  She’s the author of The Raven Cycle and Shiver series, along with the fantasy novel The Scorpio Races. Growing up, she was homeschooled from sixth grade on. Stiefvater was a prolific reader, and her parents encouraged this. Many elements of her novels can be seen in the books she read growing up – for example, the Welsh mythology in the Dark is Rising trilogy heavily influenced the world she builds in The Raven Cycle. Her writing process is very similar. When drawing inspiration for a novel, Stiefvater says she begins with music. “I usually have a song that I listen to over and over at the beginning of a novel, something that encompasses that mood. And when I feel I’ve wandered too far from my original purpose, I will play it again.” She also draws inspiration for her characters from the people around her; Stiefvater says that her best characters are the ones that she’d “stolen from life”. As a former portrait artist, she follows the same process when building a character: she begins with a model, and then pulls it apart and puts it back together to make them her own. Yet above all, Stiefvater is intrinsically motivated to write what she loves. This shines through in her novels; she pulls from her passions and the people she cares about and combines them to build something wholly unique. Stiefvater loves to write, and to share what she loves with the world.

http://www.vulture.com/2016/04/maggie-stiefvater-says-ya-is-a-bullshit-label.html

http://www.yalsa.ala.org%2Fthehub%2F2014%2F01%2F09%2Fone-thing-leads-to-another-an-interview-with-maggie-stiefvater%2F&usg=AOvVaw2XzwYVjJwskC9-FYDexGtN

3 comments:

  1. Do you think this cross over of creative outlets helps build a ultimately more creative product in the end? I think this goes past just creativity. Like athletes that play a multitude of sports are better off in their craft than others.

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  2. So many of the creatives we have examined from this class pull from other domains to inspire or strengthen their work. However, it is interesting that Stiefvater had not just borrowed from others in those fields-she adopts them herself in order to synthesize them with writing. Perhaps that says something about an intrinsic motivation to be accomplished in more than one field.

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  3. I remember in an interview of pop-stars from the group Haim insisted that artists must always maintain activity outside their "primary" outlet. Stiefvater seems to exemplify this concept well. To be creative is not enough- one must be able to synthesize the experience one has in one's life into a creative form. Remaining active in fields outside of one's art certainly helps!

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