You are walking down a street in Chicago on your way
to work. The sunshine is warm on your skin, the breeze is rejuvenating, and the
buildings rising into the bright blue sky leave you in awe. You are soothed by
the contentment and simplicity of an average day. Without warning, a group
rushes into the street, interspersing with scattered pedestrians. You turn to
see yourself near mythical creatures. Bodies draped in fantastical costumes
begin to contort and spasm as a cacophony of screeching stringed instruments
and arrhythmic drum beats permeate the air, jarring you from the complacency of
the mundane and thrusting you into a magical realm.
This is the type of performance Holly Chernobyl gives
with Antibody Corporation, a “mission based organization specializing in
mind-body integration” (Antibody Corporation) through collaboration with
artists and performances in public spaces. The organization sponsors
interdisciplinary performances that span multiple domains, including
performance art, film, and music.
"Our work ruptures and mystifies the mundane."
Holly is a Wiccan performance artist who describes her
work as a “physical response to current social, political, and moral
climates--always with an injection of horror” (DCASE 2014). Holly is motivated
by a need to challenge notions of the mundane and create a sense of escapism
through surrealist environments. She strives to disrupt the ordinary with
elements of fear and suffering, requiring audience members to interact with the
performers, critically assess reality, and experience transformations. Holly is
inspired by ideas that seem contradictory, but feel deeply connected through
her lived experiences. Her work is an expression of suffering and ecstasy that
examines the occult and politicization of bodies.
"Pain and fear are resources in discovering limits and opportunity for transgression"
While it initially appears that Holly is motivated by
her desire to illicit a reaction from her audience, her passion and dedication
toward art is driven by intrinsic factors. Holly finds pleasure in losing herself
in movement and the meaning her work represents, sparking creativity that “is
motivated by the enjoyment and satisfaction [derived] from engaging in the
creative activity” (Collins & Amabile 298). She seeks the satisfaction of
expressing her perspective and provoking critical analysis from her audience
instead of pursuing fame, fortune and praise. She seeks the euphoria of
becoming immersed in performance, claiming that she loses awareness of herself
through engaging with her body. Holly attains a “flow state” during her
performances in which she experiences “a psychological ‘high’ wherein there are
heightened feelings of enjoyment and a centering of concentration” (Collins
& Amabile 301). The exhilaration is addictive, drawing Holly into a life of
performance.
"I dissolve my surrounding and create new environments. With this technique I change the quality of my body: from stone, to bark, to mist."
Holly asks her audience to feel the full complexity of
their emotions. Instead of separating euphoria from suffering, mysticism from
reality, or spirituality from taboo, Holly encourages creatives to draw inspiration
from all facets of their experiences. It is perhaps in the most tumultuous
parts of ourselves that we discover magic in the mundane.
"I start with my body. Then I discard myself."
Sources:
"ANTIBODY CORP." ANTIBODY CORP. N.p., n.d.
Web. 17 Mar. 2015. <http://www.antibodycorp.org/menu.php?corp=info>.
"Chicago Artists Month." Chicago Department
of Cultural Affairs and Special Events (DCASE), n.d. Web. 17 Mar. 2015.
<http://www.chicagoartistsmonth.org/featured-artists/holly-chernobyl>.
Collins, M.A., & Amabile, T.M. (1999). Motivation and
creativity. In Robert J. Sternberg (Ed.) Handbook
of Creativity. New York: Cambridge University Press.
" H O L L Y
C H E R N O B Y L." H O L L
Y C H E R N O B Y L. N.p., n.d. Web. 17
Mar. 2015. <http://hollychernobyl.weebly.com/>.
"MOIRAI." YouTube. YouTube, n.d. Web. 17
Mar. 2015. <https://www.youtube.com/watch?v=QqlECAZbcwc&t=292>.
I think that the appearance of spontaneity that is produced from the performers' actions and the public space they inhabit says a lot about the complexity behind this creative's choreography. If I were to encounter a performance like this, I would definitely be intrigued by the disruption from my routine.Thanks for giving me a glimpse of what that would be like by including a video!
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